MODEM

MODEM - Debrecen, Hungary

Metaverse

NFT DEB Generative Dimensions Hackathon

Free

Born in Budapest some years before the fall of the iron curtain, Daïm Aggott-Hönsch spent his formative years in Szentendre and studied the visual arts as a child under a renowned artist and educator, the late Jenő Zaszlavik. 

After his family's immigration to Canada in the 90s, he spent some years in Oakville, before settling in Toronto. Daïm began his mathematical and algorithmic explorations in the early 2010s, becoming an emerging artist in 2016. 

In 2019, Daïm joined the burgeoning cryptoart community, shifting his efforts from producing archival prints to issuing natively digital non-fungible tokens (NFT) of his increasingly varied static and dynamic works. Daïm's innovative slow artwork "Ancestral Memories" was a short-listed NFT Awards 2020 nominee and his generative Cryptoblots project was one of the series featured in Sotheby's 2021 Natively Digital auction's Art Blocks lot.  

His digital works form a part of a number of high-profile collections, including but not limited to Vignesh Sundaresan a.k.a. Metakovan, Pablo Rodriguez-Fraile of Lot 555, and Colborn Bell of the Museum of Crypto Art (MoCA).

Daïm Aggott-Hönsch

Daim web

The Center for Complex Network Research (CCNR) at Northeastern University, known as the BarabásiLab, which Albert-László Barabási established in 2007, is a thirty-person lab dedicated to a deeper understanding of networks—how they emerge and evolve, what they look like, and how they impact our understanding of complex systems. CCNR’s research spans a wide range of subjects, from protein interactions within a cell to how distant galaxies interact in the cosmic web to what blend of access and performance leads to success in art.

The lab consists of postdoctoral researchers and students who are working toward their PhDs. They are physicists, computer scientists, neuroscientists, designers–even art historians. In addition to his theoretical breakthroughs in network science, Barabási and his lab are renowned for producing highly creative visualizations that depict the research findings in 2-D and 3-D models. Examples of BarabásiLab’s visualizations have been shown before at the Serpentine Gallery in London and the Cooper Hewitt, Smithsonian Design Museum in New York City, and is the subject of a solo show  BarabásiLab: Hidden Patterns. at the Ludwig Museum in Budapest, and at ZKM in Karlsruhe, Germany.


BarabasiLab

Barabasi Web

Gergő Sós is a Hungarian artist, living in Veszprém, Hungary, where he teaches applied graphic. Gergő’s favorite concept is minimalism, which emerges both in his music and visual art as he constantly strives for simplicity.

The love of nature inspired him to create the fusion of monochrome visual art and drone music. In his Monoton/Monokrom project the visual representation of the terrain is transformed into audio with the help of drone music. As he lives in Veszprém, Gergő’s main inspiration is the landscape of Bakony, however he is also amused by the plain, which was the main element of his project with Kodály Filharmónia in Debrecen. 


Gergő Sós

Gergo Sos web

Nikita is a media artist based in Kharkiv (Ukraine) mainly working with XR and AI. Managing VR art festivals, developing art communities (XR Art Ukraine and CryptoArt Ukraine), building virtual galleries in the metaverse. Virtual experience Metacouncil was presented at Ars Electronica 2020 (In Kepler’s Gardens). Teaching XR art at Karazin University in Kharkiv, managing and participating in audio-visual jam sessions with electronic music and visual art, curating online exhibitions.
 
As an artist, he is focused on topics of ecological issues, mental health and speculative futures. Passionate about the intersection of arts, social projects, technologies and futurology. More and more he is digging into the production of immersive arts and using game engines, virtual drawing and design tools, DAWs, etc.


Nikita Freeboid

Freeboid web

Nina Kov is a choreographer, drone choreographer and film-maker. 

She completed her MA in Choreography at Laban, London in 2010. Nina is a pioneer in human-drone choreographic interaction. She’s the co-founder and former Artistic Director of “Dancing with Drones”, a project featuring interactive movement between a flock of drones and dancers.

Her work at the intersection of technology, dance and activism has been shown amongst other places at Sadler’s Wells Lylian Baylis studio, the Royal Opera House Studio, the Science Museum, Sziget Festival. She’s a member of the bodydataspace collective and head of Organized Agitation at the I.U.R.

She’s a PlacePrize semi-finalist in 2012, a 2016 recipient of the New Europe 100 award for the InfoAid app for Refugees, and choreographed Kristof Deák’s 2017 Oscar® winning short film “Mindenki” (Sing). Nina is living with Ankylosing Spondylitis.


Nina Kov

Ninakov web

Navratil’s practice is multivalent, engaging performance, social practices, drawing, video as well as AR / VR and somersaulted realities. The relationship between the real and virtual is personally significant to Judit, as she has moved between several different countries and cultures, and relies on digital means to connect to people and places in an attempt to construct “home.” Navratil uses her body-device to keep balance through her Long Distance Somersault career. 
 
Navratil earned an MFA in Painting at the Hungarian University of Fine Arts in 2008 and an MFA at the California College of the Arts in San Francisco in 2019. She is currently an affiliate artist at the Headlands Center for the Arts and teaches at the San Francisco Art Institute.


Judit Navratil

Judit Navratil Web

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Test Schedule for Hackathon 2

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Co-Founder, Arigato

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Test Schedule for Hackathon 1

This is a very long description.

Contrary to popular belief, Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College in Virginia, looked up one of the more obscure Latin words, consectetur, from a Lorem Ipsum passage, and going through the cites of the word in classical literature, discovered the undoubtable source. Lorem Ipsum comes from sections 1.10.32 and 1.10.33 of "de Finibus Bonorum et Malorum" (The Extremes of Good and Evil) by Cicero, written in 45 BC. This book is a treatise on the theory of ethics, very popular during the Renaissance. The first line of Lorem Ipsum, "Lorem ipsum dolor sit amet..", comes from a line in section 1.10.32.

The standard chunk of Lorem Ipsum used since the 1500s is reproduced below for those interested. Sections 1.10.32 and 1.10.33 from "de Finibus Bonorum et Malorum" by Cicero are also reproduced in their exact original form, accompanied by English versions from the 1914 translation by H. Rackham.

Hackathon

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Judit Navratil

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